I know I have done a lot of pieces that are themed around death, specifically Memento Mori themes, such as the above, “Only A Shadow” based upon “Our days on earth are like a shadow”  in 1 Chronicles 29:15, but also some art that is meant to not only reflect our physical mortality, but also our dead spiritual state separated from Christ as in Ephesians 2:5, “we were dead in our trespasses.”

I of course don’t feel like a morbid, macabre person, just that maybe I have some dark humor or interests in my art, but there is a theological rationale for this.

However, as an assemblage artist, my medium requires I use objects. Certainly I tackle other themes or ideas that don’t revolve around death and mortality, but I would rather not use only drawings or photos of some objects if I can access those objects.  Case in point, if I had used small paper cut outs of seahorses in the earrings below, they would lose their interest, their wonder, and as one enthusiastic patron told me, their “magic.”

Photo by Mickie Winters

I bring this up because recently someone inquired about where I sourced these objects.  I was concerned because 1) I didn’t know and 2) I didn’t care.  I mean I know where I got them, but I could not say if they were humanely raised and harvested (I mean they are still dead at a young age and I guess if I thought about it I would feel…yeah, no I am still not feeling bad).  But it did get me thinking, while I am not a vegetarian or vegan, I am not opposed to those lifestyles, and respect them from creation care perspective.  In moderation.

But art’s history is tied to the dead things.  I am not making that up.  If you consider the earliest cave paintings, which even if they don’t depict the animals the artist did kill or wanted to kill, the artists most certainly did hunt the animals depicted to feed themselves. The earliest extant archeological artifacts are art that were made in commemoration of or preparation for burials.  Mesopotamia, Egypt, Greece.

Surely, one might argue we are more enlightened then that.  But in the Renaissance Da Vinci and Michelangelo studied and dissected corpses to learn anatomy and prefect their drawings and paintings of the human form. New World cochineal beetles and Mediterranean sea snails were processed and ground up to make pigments for oil paints.

John James Audubon, celebrated painter, ornithologist, and naturalist is estimated to have killed 1,000’s of birds in his studies.  He hunted, collected and arranged the birds in the poses he needed to paint such beautiful life like images.  He discovered over 25 new species, painted them and killed them.

So the point of this rare diatribe?

Animals should not be inhumanely treated, not wastefully collected, but if my images use bones, bugs, specimens, etc. I am keeping in a long tradition of art making.

I have also started to ask or research the sources of the specimens I buy, for what’s worth.

10:56 pm

Steve Jobs died today.  It is sad to me.  I am very moved by his words at a 2005 Stanford Commencement.

It seemed appropriate in light of the title being Art and Death to post this here, Steve Jobs was an artist too.  ”Real artists ship”

Thank you Steve

Organizing the box of treasured old watches and watch parts I was amazed at the intricacy, design and amazingly small scale.  A couple hours spent sorting through them and seeing more and more possibilities for art projects, jewelry, photographs, etc. But I kept coming back to how beautiful the little timepieces were all by themselves. 

In such a compact space, there are such small and delicate parts that fit and work together, with precision, with a measured accuracy.  There are screws, gears, and springs, of all different sizes.  And the composition encased in metal.  Dials and small hands, all of which create a larger beauty when put together than they could as interesting little pieces all by themselves.

I wondered about the individual who had collected all these pieces to work on, wrapping individual watches in little pieces of thin paper and labeling little plastic bins of higher end watches.  I wondered at the mind that would use thin pieces of paper and old cat food cans as their sorting system. 

But even if this treasure trove came from a collector, someone made them, engineered them and constructed them, and I marveled.  I still do.

There was a sense of the beauty of these pieces of art and also of the mind and personality of the creator behind them.

I realized that the single cell, a single atom, DNA, were far smaller, more complex and too, pointed to the mind and personality of a designer.

Teachers in both the Old and New Testaments pointed to created things to impart some truth.  Consider the ant…Consider the birds…Consider the lilies…

Often time the created order also was a pointed reminder of the care shown by the Creator for his creation.

Sometimes, awe in the face of creation, at even being noticed in such a grand piece of art

When I consider Your heavens, the work of Your fingers,
              The moon and the stars, which You have ordained;

What is man that You take thought of him,
                And the son of man that You care for him?

Creation of things of beauty can often remind us to consider the creator.  That’s what happens every time I look at these little works of art, and then too I am reminded to consider the Creator.

I share this little treasure with you and pray it may be a silent witness to the existence of a Creator, who has drawn near to your life, closer than you may know.

­As I considered how to share these little gems I thought it best to let them just be a little picture themselves, and not try to add too much visually to their intricate and delicate beauty.  They are encased in small watchmaker tins, the actual storage bin less frugal watchmakers and watch repairmen would use to sort out watches and parts.  The images on the sides are from the above mentioned examples in the scriptures, the ant, the birds and the lilies.